Arianna Ellero, a visual artist from Udine with training in Berlin and Switzerland, redefines painting as a living field, where matter, light, and perception challenge and intertwine with each other. Her practice spans sound, digital media, and pigment, creating works that do not merely offer vision, but question it. From white as a space of possibilities, to the dissolution of form into light and vibration, to digital experiments on the face as a field of dematerialization, painting becomes a perceptive act: unstable, porous.
The painterly gesture does not stop the image, but listens to it as it transforms.
Visual identity shatters. It becomes trace, residue, interference.
Painting does not depict: it dissolves, disarms, opens.
With the introduction of spray mixed with oils and pigments, the painted surface becomes pure tension: chemistry, nature, and gesture overlap, amplifying the contrast between control and unpredictability.
Instability is the driving force of her research: an active, generative condition from which new visual and perceptive arrangements emerge.
It is in slippage, variation, and suspension that painting gains urgency, opening itself to continuous change.